Session Recap; Stream

GM confidence: 5/5. This session went really well, by all accounts—good energy throughout. Since I don’t have much to complain about, I’ll touch on some of the behind-the-scenes processes.

The Duty

Dustan’s Duty to the Wizards’ Guild appears on a “9,” which means it comes up a lot. The previous occurrence was a little underwhelming, in my opinion. I wanted to do something a little different this time, and I came up with the “conflicting choice,” which became the decision to encourage or prevent the Antagonese prince’s rescue of the princess, in order to tie it into the mission. This might have been good enough on its own, but I wanted to make it a little stronger.

Rank comes with an assumed Duty, though it can occur “whenever I feel like it.” I employed this in two ways: the PCs’ collective Duty to the Heroes’ Guild (by having Válaris promise to get the job done), and Lëodan’s Duty to the Rangers/Druids (which was also an opportunity to illustrate the rivalry between the Druids and Wizards, and their political machinations). By having the other PCs’ firmly established in the pro-Heroes’ Guild camp, Dustan’s decision is especially difficult, as it should be. By involving the king and the heads of the respective guilds, it gives the whole thing more gravitas—an appropriate rise in stakes for the last quarter.

During the process, I found myself leaning toward making this a “group” choice, but pulled back—this is a Dustan problem.

The Chase

I’ve been itching to get a proper Chase in this campaign. I almost had one in Session 8, but it didn’t quite work out; it would have been very similar. In this case, the distances involved didn’t lend themselves to the default “range bands”—”miles” (or another linear measurement) could have served that purpose well enough, but time-based measurement helped reinforce the “countdown.” I eventually decided to give the Antagonese party a head start and have PCs catch up to them, rather than an equal race off the line, to give it a little more uncertainty. (Plus I expected the PCs would blow past them anyway.)

As far as I know, the 1d6 roll for Research “hours” in Action2 is the only place that mechanic is referenced, but I’ve started to gravitate toward using it in these “ambiguous timetable” spots. I thought it worked brilliantly here, combined with Plot Points and whatnot, plus the addition of Extra Effort to the Chase itself.

I just really liked how it all blended together, and it seemed like the players liked it, as well—I’ll definitely try to use this in the future.

The Prince

I needed to properly introduce the prince as a douche, and drive home the need to get to the princess first. I expected there would be a convergence with the PCs somewhere along the Chase progress, which should occur at the end of that day, given how the mechanics worked. But it was possible the PCs either wouldn’t catch up, or pass them up in an inconvenient manner, or just choose not to stop near them at all. I did have a number of backup plans in mind, but I was fortunate to not need them. The original plan was a “barroom brawl” situation, but that required the players to make certain decisions or mistakes that couldn’t be counted on, and I didn’t want to pack in a combat segment at this point. Waygon’s “insult” was the perfect solution, and I frankly expected the PCs to make a fool of him the way they did (though I wouldn’t make it easy). I was prepared to “pull the trigger” on Waygon if they failed, but as a paid-for Ally to Maykew, I would have been forced to intervene, somehow (which I expected to involve Ser Magnus).

The Fight

Given how the last fight went, I wanted to give the PCs a properly dangerous adversary. I ramped up the mooks’ armor considerably, and some of their capabilities—shields are normally a PITA to defeat—but I held back on their numbers, thinking it might be a little too much. The PCs went through them way too quickly, but to be fair, they could easily have been beaten back. I don’t feel like I made any real mistakes, tactically. Honestly, the players got lucky with their rolls versus the enemy’s rolls, and some good tactical decisions gave them a much better advantage than I expected. In retrospect, I should have gone with 1.5-2× the PCs’ number. One thing I need to look to for the future is some “reasonable” armor-piercing capability, and I’m pretty sure it’s been a while since any of the enemy have had ranged support—just one sniper would have changed the tactical landscape considerably.

The Boss, Drago, on the other hand, would probably have killed a PC or two if they had stuck in with him, but he was always intended to slink away (or take a fall and disappear), for reasons that should be more-or-less obvious now.

Miscellaneous

• I was on “staycation” all this week, and I used that time to watch a lot of crappy medieval-fantasy TV shows, scouring them for screenshots and ideas. I got a bit rabbit-holed looking for locations in the castle in Merlin, which I’m using for Castle Royal in the game.
• I had Shelley (from the Friday face-to-face group) write the “myth” of Burnithrax and Summoner’s Rock; her version was a bit longer and grander than my “condensed” version.
• An audience with the king is a scene I’ve wanted to do for years. It was a shame that Murdok’s player was late, though, as I’m sure his presence would have made it a lot messier for them. Also, I totally forgot to make them roll Savoir-Faire.
• Dustan’s Patron, Mintôr, also triggered for this session. I was tempted to give a Plot Point again, like last time, but I decided to give him some useful mission information instead, along with using him as an excuse to remind the player to use the mirror—I was a little concerned they might not think of it. It’s a shame I couldn’t figure out how to make his “advice” in that regard a little more obscure.
• “Le suilon” means “I greet you” in Sindarin Elvish; “Mára farië” means “Good hunting”
• This was the first encounter with Nefarian forces, also a long time in the making.
• They just rescued a princess from a dragon; but the princess is in a different castle.
• One downside of this campaign style is the lack of cliffhangers, with the lone exception of the two-parters. It was really important to end this one at just the right moment.

Session Recap; Stream

GM confidence: 4.75/5. In spite of a couple of minor gripes, I think this session went really well. I enter the last quarter of the campaign in good spirits.

The Good

The “one-liners” concept from the previous few sessions seemed to be working rather well, so I pushed it a little farther in this session, with what I’ll refer to as the “Tour Montage.” The idea here was to come up with some one-liners (one for each of the PCs, in this case)—highlighting some aspect of the abbey they might find attractive or interesting—along with a brief bit of exposition on the part of the tour-guide (the abbot) to go along with each one, in which I embellished a little, and worked in some information relevant to the mission-at-hand. These were to be delivered in a “flow” sequence. I did the same thing at the forest camp on a smaller scale (without the additional graphics). It seemed to achieve what I intended, although in retrospect, it was still a bit “wordy” for an RPG, and as one player pointed out, left them struggling to find an opportunity to interject/interrupt. In the future, I need to remember to leave the PCs room to get in a word or a question, and to not “connect” the bits of monologue between one-liners (which resulted in some oddly “interrupted” conversations). There wasn’t really anything for the PCs to do here; it would have been ideal if I could have come up with some small action they could take in these moments. In many ways, this is the same thing as the Travel and Tournament Montages, with the addition of the narrative “guide.” As a system, it can still use some polish, but it’s headed in the right direction.

As I reviewed my notes mid-week, I thought it was a bit “light,” and I realized that, throughout this entire campaign, I had not yet given the PCs a proper “fetch quest” at all. I went back and forth with Shelley (from the Friday f2f group) for a while, using tarot and whatnot, until we had distilled it down to the “lost doll stolen by a dog” concept. I continued to massage the concept afterward, and eventually arrived at the “orphan girl,” tying her into the “archvicar” narrative, and making her the sole witness to Tonik’s disappearance (though I needed some backup pathing in case they failed). Poppy triggered both Ser Kenrick’s “good with children” and Maykew’s “orphan” background—they connected with her, as expected—but the narrative grew into something bigger, I think, and made for some good pathos in the end.

The Nitpicks

The session did feel a bit railroady to me, in spots, especially when it came to directing the PCs toward the forest community. Giving freedom versus the illusion of freedom is often hard to balance. Also, I’ve found that when the one correct choice is too obvious, it still feels like railroading. Ultimately, the players need to feel like they could have chosen another path, and I don’t know that I successfully provided that.

The fetch-quest itself—tracking down the dog and whatnot—probably could have used a little more work. I did go over the tracking rules, at least. To be fair, it was, ultimately, filler—but it could have been more filling filler.

Similarly, I wanted to do a little more at the abbey. In a sandbox campaign, this is a no-brainer. Here, I didn’t want to get too bogged down in what would ultimately go nowhere, since the real objective was in the forest. In the early fetch-quest development, I was trying to have that narrative take the PCs back to the abbey, but that didn’t flow correctly in the end, and I decided to let it go.

My biggest nitpick of all—which is still just a nitpick—was my boss-fight. Nevermind the fact that a couple of PCs wanted to interrupt the monologue; that’s normal behavior, and I don’t consider that a fail, per se. Super-Tonik was really strong, and certainly capable, but not enough for the current PCs. I gave him more natural DR than most of the PCs, themselves, have, but they’ve got too much armor-piercing gear now (especially after Murdok added enchantments at the beginning of the session). I couldn’t justify giving him Combat Reflexes or Enhanced Defenses on their own (though I did give him a point in Parry Missile Weapons, just because it might be fun) and there were multiple instances of him failing to defend by one. While his high HT and HP helped him last longer, the one fail on a Stun check doomed him. He was dead in two seconds. I am disappointed because I expected to challenge the PCs a little more than I did. But this is a downside of GURPS, that a group of multiple PCs can down a powerful single creature far more easily than in D&D. I had stated in my notes that, if the PCs did well with the break-in, none of the mercs would join the fight, and that turns out to have been a mistake. I also meant to have Aidin call out to “take him alive,” which would have raised the challenge level considerably. It worked out, though, as we ended up getting to the fight a little later than I intended, and throwing some mooks into the mix always drags things out.

Miscellaneous

• Dustan’s Duty fired off once again, but this time, he’s bought up his Guild Rank, so he isn’t a student anymore. Before that had occurred, I had planned to have him acting as a teachers’-aide, having to grade a pile of thesis-papers during the trip. On a related note: choosing the “librarian” as his master is not only a bit of a jab at the character/player, but is also a way of preserving the status quo by keeping him tethered to the Capital as he already had been (as opposed to traveling all over with a more “active” master).
• I watched Names of the Rose during the week. Later I dug around for good images for the abbey, and liked the Sacra di San Michele. I didn’t realize until afterward that this abbey was the actual inspiration for the one in the movie (and the book that was based on).
• Really late in the week, I figured out how to work in the “monument to St. Scriptus, on the spot where he was said to have ascended to the gods,” and as I continued, I told myself that if I didn’t record that in the notes, I would forget it…and I did
• I was surprised the PCs didn’t actually even try to take down Tonik non-lethally; I should have given them a specific reason to
• The interaction with Poppy was so successful that the PCs—specifically, Ser Kenrick and Maykew—in post-game, spent much time figuring out how to get the orphans in the forest community to better homes.
• The “archvicar” situation isn’t actually what it sounds like, from the in-game perspective. Lord-Vicar Dovan is Duc Rikard’s spymaster, is Paranoid, and is fixated on the mysterious wood-woman, Sidya, as the object of his paranoia (Ref: Court). Sidya is said to have come from a similar forest community, so he’s been “beating the bushes” to find out the truth—and maybe beating them a little too hard.

Session Recap; Stream

GM confidence: 4.6/5. For a session that nearly didn’t happen at all, this one went surprisingly well. My only real complaint is what I would categorize as “normal GM stuff.”

Under the Hood

The Highhorse family is a minor house, and I had not planned to develop it very much until preparing for this session. I needed the house patriarch, at least, and a headquarters. However, due to Ser Kenrick’s player’s decision to pursue one of the princess’ ladies-in-waiting, deciding on the Highhorse girl, I had to build out the family a little more than I had originally intended, just to find out who she was related to and how. But that’s not a bad thing.

I’ve had difficulty researching “ransoms” for nobles, in general, excepting some famous incidents here and there that don’t really apply. The good news: Banestorm p. 41 sets it as “half a year’s cost-of-living,” which is a good place to start. Bad news: for anyone with actual Status, it amounts to a lot of money; far more than I think is necessarily appropriate. But once you have a base to work from, dividing that down to a more reasonable number is easy. The £200 I used was less than the full amount according to Banestorm, but barring any research suggesting a more appropriate amount, I just ran with it.

The previous sessions gave me plenty of opportunities to develop a new technique, what I’m now referring to as “one-liners.” It’s a one-line bullet point saying, in essence, “You see this thing happen.” The idea, as employed thus far, is to decide on a number of one-liners—one per PC, one per story segment, or in this case, just “Rule of Three”—and find some piece of exposition I can “show, not tell” in that one event. Specifically, I wanted to showcase Upton’s overinflated sense of self-importance, so I came up with three (or as it ended up, four) ways I could demonstrate that. It’s not that profound, on the surface, I admit, but I’ve had a lot of problems working this sort of min-event into the narrative in the past, and this has helped organize things for me.

The centerpiece of this session was going to be the combat on the road. Knowing that it would feature charging horsemen, and therefore put Ser Kenrick in the spotlight again, I realized afterward that I probably should have swapped Session 8 and Session 9, to give the rest of the PCs a bit of a break. Definitely a minor mistake.

But the bigger issue with the combat was in my lack of preparedness. I really should have given the mounted combat rules a more thorough glance beforehand. I also should have given the enemy tactics a better review—they should have all been using All-Out Defense during the charge, at the very least. Also I should have tried a little harder to find a way to get all the PCs involved, since I knew some would be left lagging behind—I’ll blame that on the bad week I had, resulting in a late effort. I also felt bad about the misunderstanding regarding crossbow reloading, but honestly, I think this was the first time it ever came up. But I guess it all worked out, in the end.

I had planned for the “bad guys” in Richport to be the corrupt new shariff and his men. But as the week went on, I realized that I would be putting Ser Kenrick in the position to refuse to participate on legal grounds once again. So, I rewired it a little. It was bad enough that Ser Kenrick would have to deal with pirates in the first place—I expected him to make a fuss about that as well. But to his credit, the player has been working Ser Kenrick’s growing dissatisfaction with the Guild for having to work alongside some unsavory characters into his personal narrative.

Outside Considerations

Now Dustan has been upgraded to “graduated” from the Wizards’ Academy, but the player decided to keep the Duty as-is (presumably for the points). This means that I can keep the pre-rolled Frequency results, but it also means I have to come up with something less “academic” for his assignments.

The “magic sling” is the third of three magic items I had planned to give the PCs, per the usual fairy-tale trope. Given that the last two magic items fell to Dustan, I expected the third to do the same—I was not expecting Murdok to claim it. But actually, it might be better. Murdok is going to do a lot more basic damage with it, at least, and his player is inevitably going to go to great lengths to find uses for it. But given that he’s not really “sharing” it (for now), I guess we’ll see how that works out—I have at least one encounter in mind where it will end up being crucial.

As to the other magic items: The key has a mostly-passive use, and I’ve assumed Dustan is carrying it with him at all times, so that one will come into play when it’s needed. But the mirror—that one will have to be actively used, and as Session 7 demonstrated, the PCs may not think of it when it comes time. So, I’m having to think about ways I can recommend its use without “cheating” (that is, blatantly telling them it’s important).

Miscellaneous

• I didn’t have any good ideas for what to do with Magister Mintôr’s appearance this time, so I decided to just give Dustan a Plot Point (that he never used), in case something appropriate came up during the session.
• I had given Upton a phobia regarding boats and water specifically to keep them from resorting to traveling by boat, but I don’t remember what the reason for that was anymore.
• This second time using Benstan of Snorrington went better than the first—I did prepare myself a little better. I don’t know why he gives me such trouble at game-time.
• Garak is an obvious ripoff of the character from Deep Space Nine—I figured anyone recognizing that would understand the kind of character he is meant to be. Interestingly, I had originally intended for him to be murdered at the end of this session, but the numerous rewrites saved his life, and now he’ll probably return down the road.
• The “Dread Pirate” is also an easily-identifiable ripoff, but the payoff on that one won’t come during this campaign—it may be a feature in the next.

Session Recap; Stream

GM confidence: 3.5/5. It was more good than bad, to be fair, but some stuff definitely didn’t go as planned, and would have benefited from a little more polish. I feel I can accurately say that my less-than-positive opinion is based not on what was but what ought to have otherwise been.

Overall

If you’ve been reading these debriefs up to this point, you might have picked up on a recurring theme of “bad week at work,” and that’s no less so in this case. Another rough week resulted in problems thinking through the known issues, and missing some unknowns, delaying the needed detail-work to the last minute. And a rough day on Saturday—including a malfunctioning air-conditioning unit in the apartment—meant I was having some real problems keeping focused and processing the usual problems quickly during the game. Combine that with a complicated, experimental narrative that crammed way too many characters. Honestly, I’m amazed it wasn’t a disaster.

The Good

The “find the assassins” Skill Challenge(s) from Part I became more of a Task Chain/Skill Gauntlet in Part II, due to the lack of an obvious, achievable “success” objective. Otherwise, it was more of the same, focusing on new characters and the “shadowing the princess” narrative, with the events tailored for specific PCs this time. I had a really hard time coming up with the content until late in the week, but I felt pretty good about the results, though it could certainly have used a bit more polish. The one involving the wedding went really quickly, too. Over the two sessions, I think I’m getting the hang of this one (much improved from Session 3).

Now at the midpoint of the campaign, I’ve started trying to raise the stakes a bit. I definitely succeeded with the tourney—there was a real chance of failure there, and in the end, the PCs as a group really had to “earn” that win. And the assassin got away (which I didn’t actually expect).

I felt like I finally got a proper grasp of the overall jousting situation, if a bit down-to-the-wire. Another session or two, and I think it would have been really solid. By the end, I had a good feeling about the Grand Mêlée mechanic I had in mind, even though I didn’t get to use it.

The Bad

The “gambling” mechanic was a last-minute addition and it went horribly wrong. As we started to make use of it, I could tell the players were starting to raise eyebrows, but it wasn’t until an hour or so after the session that it started to make sense why. In retrospect, what I realized I was doing was more akin to “betting against the house” or a bookie, which makes more sense in a modern setting, but here, it did not. And I hadn’t fully processed how it would interact with the Gambling skill. What would have been more correct was to use Social Engineering to locate individuals willing to wager, and “haggling” (possibly using Gambling skill in place of Merchant) to arrive at the “price”—after which, you win what they bet, or lose what you bet, without modification.

There were some narrative bits the PCs didn’t acquire, some of which were mildly important, because I failed to find a proper opportunity to introduce them, and/or because I reflexively resorted to die-rolls when I probably shouldn’t have. At the least, Area Knowledge and Current Affairs are good fodder for a “group based” roll rather than individual. But really—if it’s important, or even just interesting, just bloody find an excuse to give it to them. If you’re making them roll for it, it should be something they can progress without.

The idea of introducing characters as a group, specifically with regard to the families, is still a good one. But I did a much better job of it in Part I than Part II— in which I missed the right moment on the Wolfreys, and completely forgot about the Crownroys. As a result, I ended up throwing around names that the players didn’t quite recognize. In the end, it’s probably better to take a moment to briefly point out the characters in addition to showing the group-image.

Around the tournament, we encountered a number of issues:

• The “Round 2” segment dragged on for much longer than it should have. There were a couple of reasons: Getting the other PCs involved in helping Ser Kenrick, while useful for keeping the players engaged, resulted in delays while we sorted out various related details, and quite a bit of rules-related flailing-about. Also see the aforementioned “Gambling” issues. After Round 2 it actually went fairly quickly, though, so it wasn’t all bad. As a result, far too much time was spent with Ser Kenrick in the spotlight, and unfortunately, the whole thing ended too late for me to keep the Grand Mêlée.
• While I don’t consider the “piling on” of Bennies to get Ser Kenrick the win to be a necessarily bad thing, and it is indeed “legal” according to what I had recorded, I am considering limits for the future.
• It was during the prep for this session that the reality began to settle in, for me, that during each round of eliminations, each knight is going to be fighting only once, without some sort of shenaniganry, regardless of the total number of participants. That means only one bout for Ser Kenrick in the whole two weeks prior. Fortunately I had already planned for some shenanigans on the part of Ser Robin, which I just worked into the narrative. Even so, it seems weird.
• Similarly, I kept finding holes in my tournament-rules logic regarding who would advance when, and how the mechanics would support it. It is a little unforgivable that this wasn’t nailed down from the beginning.
• Separating the mechanical joust contest from the between-joust events was the best I could come up with at the time, and it was a little jarring. It really needed to be broken up and woven into the narrative/timeline—still jarring, but maybe less so.

Finally, the Mirror: Murdok’s player was being true to the character when he decided he should destroy the mirror, but it was damned inconvenient. But that wasn’t so bad as the fact that, as with the aforementioned “rumors,” I failed to find the right opportunity to remind the players that it might be useful, especially at the wedding events. This is something I still don’t quite have an answer for. Does the GM just tell them (because it’s important)? I realized after the session that I should have brought Truvio back, and he would have made an excellent mouthpiece to that end. Too late. I’ve already figured out how the mirror will return, at least.

The Experiment: Tournament, Continued

GURPS Issues

In the process of dealing with the joust competition, I’ve found a few holes in the GURPS rules-as-written:

• Setup: Min ST for a lance is 12. Meaning, effectively, the minimum ST for a knight is also 12. Therefore, it can be expected to require at least 10 points of damage delivered to cause a 1yd Knockback. The 2d+3 example (a reasonable average) listed on B397 averages 10 points of delivered damage, and maxes out at 15 (not including All-Out, etc.). Given this, doing enough damage to Knockback more than one yard (20+) not only requires a Critical Hit, but a specific result on the Critical Hit table.
• Basic and Martial Arts agree that it takes 15 points to break a tournament lance. Given the above, this will only occur with maximum damage. This is just wrong. My solution was to use the optional “Quick and Dirty Weapon Breakage” (LTC2:22), treating the “tournament” lance as Cheap, so it would break on a 1-2 on 1d6 when struck using ST 12—this is much better, and not too complicated to use.
• An expert rider (Riding 14) with a war-saddle (+3 to Staying Seated) after 1yd of Knockback (-4) has to beat an effective 13 or be unhorsed—this is okay. With a few more points in the Staying Seated technique (MA81) that effective roll can go up to 17—which fails only on a crit. This assumes (as I have ruled it) that Staying Seated does not benefit from the +5 for a horse that “knows and likes” the rider (B217), or it’s nearly impossible to unseat a basically-skilled rider. This feels wrong.
• Heavy Plate Armor (LT111) has DR 9-11 (depending on options), which, if damage is regularly high enough to break a lance, is going to take an average knight down to 0 HP after a few such hits. This isn’t necessarily unrealistic, but while injuries during jousting aren’t unusual, they don’t seem to be accounted as being that common. Obviously, lower-DR armors will make those injuries even more common. It might be justifiable to give the 3-pronged tournament lance-tip a .5 armor divisor, which would help considerably in this case. Of course, the use of a grand-guard or well-positioned shield could double that DR, making this point moot, providing the opponent hits that target.
• Historically, as time advanced, the use of shields in jousting (as well as knightly combat in general) fell more out of fashion. Joust participants used grand-guards more and more—which suggests they expected to just “take” a hit. In GURPS, if you have a shield and decent skill, you can expect to deflect a lance blow entirely, resulting in no damage being delivered, no lance breakage, and no Knockback. This makes the use of the shield very attractive, even with the -3 to ride hands-free (MA73), which can be offset with a technique. This really doesn’t reflect history. Using the optional shield-damage rules (B484) would help a little, especially if it causes normal Knockback.
• I couldn’t find a definitive answer to whether or not the +1 damage/-1 skill from Move 7+ (B397) applied to the lance. As-written, it isn’t excluded, but logically, it really is double-dipping.

In-Play

Bearing in mind the above, here’s what I employed:

• Apply Basic Abstract Difficulty to opposition “skill levels” as suggested for combat, increasing for each tournament interval.
• For each tournament interval, the PC and aggregate-opposition make an attack roll, treated as a Quick Contest. Most normal Maneuvers apply, like All-Out Attack. Initially, I determined that Telegraphed and Deceptive options were pointless, until Part II, when I decided to allow their defense effects to apply to the Staying Seated rolls. I decided Rapid Strike and All-Out (Double) would allow taking the best of two rolls (like Luck). Extra Effort would cost Long-Term Fatigue lasting until the end of the tournament. The margin in the Quick Contest would determine the winner, while the attack itself would be treated like autofire with a Rcl of 3—which would be the effective number of times damage was dealt (“hits”).
• Next, both sides make defense rolls. This would eliminate “hits” as for autofire. Of course, if most knights don’t use shields, there is no defense roll at all.
• Undefended “hits” do damage to the target as normal. Enough damage would result in Knockback as normal. Knockback would result in a Staying Seated roll as normal. Each hit would result in a lance breakage roll (using the QAD rule).
• The winner of the bout goes to the highest margin of success. A broken lance adds one to the margin. A proper unhorsing eliminates that side regardless of score, unless they are both unhorsed.
• I allowed Assistance rolls from the other PCs to apply to the Attack, and was pretty forgiving with their justifications. It might seem a little excessive, but I used it as a partial justification for the BAD level on the other side, so it balanced out.

In Retrospect

• I really wanted to find a way to eliminate the defense roll entirely, just to speed things up, especially as I began to understand that the typical jousting knight probably wouldn’t bother. Obviously, I didn’t find a solution in time.
• I noticed the Roll with Blow technique (MA87) might be a good stand-in for defense in the joust, but it would require some rewiring for that purpose. Doubling Knockback as it describes seems like a good reason not to use it, but on the other hand, it might make unhorsing happen more often.
• I intended to use the Stop Hit (MA108) but still didn’t. I do think it’s appropriate, though, but it doesn’t mean much if nobody is making defense rolls.
• I should have given Committed Attack the same treatment as Telegraphed/All-Out(Determined), but should it apply to both defense and Riding or just one?
• Ser Kenrick’s use of a shield meant that he rarely had to make a Staying Seated roll at all, even when using Committed Attack, putting pretty much the entire field at a significant disadvantage.

As many problems as I had, I still think there’s a lot of potential here, with a little more polish. It won’t happen in this campaign, though. I do think it would probably have been ideal to spread this two-part “event” across another session or two, so it didn’t feel quite so crammed, I just didn’t want to commit that much of the limited campaign time to it—that would be better in a proper sandbox, or maybe a play-by-post thing.

Edit

About 24 hours after posting this, it occurred to me that the jousting lance damage, calculated as a collision according to B397, should be using relative velocity, not the mount’s Move. This increases the amount of damage being done significantly and renders moot a number of my complaints: at around 4d+3 or so, average damage becomes 17, which will break a lance every time under the basic rules; maximum damage becomes 27, which would easily cause 2 hexes of Knockback, and an additional -4 to the unhorsing roll—except that if the lance breaks at 15, it caps the damage at 15. Food for thought…

Session Recap; Stream

GM confidence: 4.95/5. I was a little unsure about this session, with all that I needed to be crammed into it. But other than some minor screw-ups, it actually seemed to come off rather well. We have now, officially, reached the halfway point. Yay!

Puzzles and Solutions

A character’s Disadvantages (among other traits) are an excuse and an expectation to present the character with opportunities to exhibit those traits. (Or they should be, at least.) We were well into the campaign when I realized I had missed that Ser Kenrick’s player was looking forward to playing up his severe Truthfulness and Honesty, which would mean he would be perfectly positioned to ruin this session by refusing to participate in the deception. So, I started “prepping” the player weeks before, by telling him that, so he’d be thinking of ways to work around it. At the same time, I came up with the Frequency of Submission-based bonus/penalty as a potential compromise. I think the prepping helped; the player did give the problem some forethought. As far as I’ve ever known, this isn’t normally a thing a GM would do—giving away bits of the story beforehand—but I felt like it was necessary, and it worked out well, in the end.

I had considered how the PCs might execute the mission to “make everyone believe Ser Kanneth still lived,” including the possibility they might claim illness/injury and keep the (imaginary) knight out of sight. I’m not sure why, but I didn’t actually expect them to choose that path, and as a result, I didn’t plan accordingly. Many events had to be adjusted on-the-fly for the fact that Ser Kenrick was not disguising himself as Ser Kanneth; some went better than others. Note for GMs: never, ever, depend on PCs taking a particular action unless you actually leave them no choice. That was a noob mistake I should not have made.

I had some real concerns about the pacing of this session: due to the experimental mechanics, it had the potential to go really long, or really short, with no clear indication which it would be. There were a lot of NPCs that needed to be introduced in some way during the tourney, as nearly everyone of any import would be there—I chose to introduce many of them as “groups” rather than individually, which, I think, helped. I did a much better job showing-not-telling with the Lionheart characters; if I’d had a little longer to prep, I might have done the same for the Stagwoods. I had the tactical combat at the end as a just-in-case buffer, which did end up taking us a little over time, but not too badly.

Another obstacle was the fact that, logically, Ser Kenrick would be heavily spotlighted throughout this session (and its sequel), to the near-exclusion of the other PCs. I had to find ways to get everyone involved. Giving them the “mission” of keeping the secret was the first part of the solution, and the Skill Challenge seemed like the logical way to handle it. Making sure there were other contests they could also participate in was another—that was easy enough. When it came to the mid-tourney events, I made sure to spread them out amongst the players; I didn’t plan it to, but during play, I started using the random-PC-elimination table to assign events that didn’t logically belong to anyone in particular. I feel like this was successful. They seemed “busier” even than usual, and had to stretch their abilities a little.

Probably the most difficult aspect of this session was delivering the “tourney montage” narrative while working around the crunchy bits. Do the fighting first, then the Skill Challenge, or the other way? How and where do you work the other side events—in between rolls, or before/after? If you were describing the overall event verbally without PC/game-mechanical interruptions, how would you even go about it? I’ve had issues with past attempts to weave narrative elements throughout an ongoing Skill Challenge. I would say I’m not 100% satisfied with the execution, but I think it was “good enough.” I will undoubtedly have future opportunities to refine this process.

The Experiment: Tournament

I did quite a bit of study into medieval tourneys, but was unable to find much regarding the structure of the “overall” proceedings, only the individual jousts themselves. Much of what I found (like accounts of William Marshall) was too early-period. The best source I have, still, is from Froissart, and that influenced much of the content for the session (and the next), though I did take some cinematic inspiration from A Knight’s Tale, and Ivanhoe, among others—the vast majority show one or two “focus” tilts, and assume the rest or show a montage of others. I also had to do quite a bit of digging into proper tourney armor for the “period.”

What I came up with is heavily influenced by my Action Challenge System (still in development). I wanted something in between tactical combat and a one-roll Quick Contest, allowing a strategic element on the PCs’ part but avoiding excessive die-rolling. The idea: for the PC and aggregated-opposition, one attack roll, one defense roll, one damage roll, and one roll for other damage-related effects (specifically Knockback/Unhorsing). The attack portion worked as expected. I had planned to treat the joust as a Stop Hit (MA108) but left that out at game-time as it felt like piling-on (I may put that back in, next time). I faltered a little at the defense portion: I ended up absentmindedly rolling for each defense separately, when I meant to treat it like autofire. The error with defense was compounded with the damage and effects rolls. As I continued to research armor late and after game-time, both historical and in GURPS, I found I had missed the separate “lance rest” item, and that Ser Kanneth should probably have been using a grand-guard rather than a shield. More and more, I also think it’s probably more accurate if the jousters take no defensive action at all and rely on their armor and technique to take the hit. And lastly, I discovered mid-session that I hadn’t fully developed how the damage and effects would affect the “number of wins,” forcing me to make some snap-judgements. Overall, it needs a little refinement, but I have Part II to sort that out. Of course, the difficulty will be increased for the next round of the tournament. I intend there to be a real possibility Ser Kenrick can lose—but if he wins?…

As to the lesser contests: the mêlée duels can be (and were) run the same as the joust, easily enough. Other less combat-oriented contests I left to a Quick Contest, though I would rather come up with something a little more crunchy for the future. PCs that have won prizes will be getting paid (cash, sort of) for the first real time in the campaign.

Miscellaneous

• As mentioned in the previous post, Shelley (from our Friday f2f group) has been helping me write this stuff. This session and its sequel needed a lot of help, and got fiddled with quite a bit from where they started.
• The Baroness Emilee Lovnote of Cortley wasn’t just an opportunity to mess with the PCs socially, but to exhibit the “courtly love” aspect of chivalry. The name “Emilee” is from Chaucer’s “knight’s tale.”
• The mirror is the second “magic item” I’ve given the party, in the proper “fairy tale” tradition—which means it may be important later. But I didn’t think about how Murdok might be affected by it before it was introduced—that part was improvised—and now I’ve got potential consequences to deal with.
• Ser Kenrick’s player had been joking for a long time about jousting the king in-disguise at the inevitable tournament, and I wasn’t about to disappoint—hence Ser Jondo Falsname’s appearance. I had actually wanted them to “speak” beforehand, both disguised, but that didn’t work out.
• Once again, Dustan’s Duty fired off, and also for the next session. Figuring out what to do with these instances has been a challenge, but I’ve felt pretty happy about the (current and future) results—definitely justifiably inconvenient, while allowing him to continue to participate in the “adventure”
• I had intended/expected this cliffhanger ending to occur before our scheduled two-week break, but there was a miscommunication in the scheduling

Session Recap; Stream

GM confidence: 4.5/5. Overall, this session went really smoothly, and I had a lot of fun with it. I should be really happy with how it turned out, but a few issues continue to (unnecessarily) nag me.

What Went Right

This was the second session assisted by one of the players from our Friday face-to-face game, Shelley. But it was the first I had approached her with, as it revolved around the character, Rayna Starkweather, which she had originally created (for a separate D&D campaign). Aside from help with the overall writing/plotting, she wrote Rayna’s letter to Ser Kenrick, worked out Rayna’s responses to some situations that would come up, and assisted in the development of the village and its residents. I took a little extra effort with the details in this one because I might possibly run a Generica campaign, or some variation, for the other group, centered around Guffin Hall. Meanwhile, Shelley has continued to assist with the remainder of the campaign run, and I’ve no doubt it is better off as a result.

Once again, I managed to pace the session out quite well, ending only a little short of the four-hour mark. It seems I have properly grasped how much we can get done in one session. But the next couple of sessions will test me, as there will be a lot to pack in.

I tried something a little different this time with regard to the Travel Montage. I had gotten into the habit of late, due to running more sandbox-like campaigns, of breaking up travel into one-day segments (or whatever). But, more recently, I had determined that treating the whole thing as a single “event” might be more efficient, and a bit more reminiscent of how one typically describes a long trip to one’s friends—better for when the daily travel grind isn’t the focus of the campaign. Therefore, in this session, I only had the PCs make one set of rolls for the overall trip, applying the speed bonus to the last leg (where it mattered), and making some assumptions about the rest. This is in addition to the other adjustments I’ve made to the mechanics regarding the effects of those rolls—I’ve back-seated a lot of the math, as unnecessary to the storytelling. Post-session assessment: I think it worked, but I may need to figure out a way to get some of the “color” back into the early part(s) of the trip. It was certainly faster, though. But this is worth a blog post of its own, or will be by the end of this run.

Dustan’s Duty fired for this session. My implementation went through a few rewrites before I arrived at the “big book” idea. The book’s dimensions were based on the “largest surviving medieval book,” the Codex Gigas (AKA The Devil’s Bible). I’m sure the players suspected some shenaniganry, but I was glad nobody suspected (or seemed to) an “oversized” tome. I didn’t think about them getting a cart, though…

I was really happy with the “romance cards.” I had decided that I wanted to let the secret of Kenrick’s/Maykew’s parentage out during this run, and this was an ideal opportunity to do so, but I didn’t have a solid idea how to deliver. It was late in the week when I thought of the cards, and it was just too good an idea not to find a way to make it work. Between sessions, it will be pretty much confirmed for Maykew that Lord Randyl was his father, and although Ser Kenrick won’t investigate further, he “knows.” Then there’s the “bookend” of Ser Kenrick visiting the grave of his mother, and seeing his father’s grave in the same session. It plays well with the “family” theme.

What Went Wrong

Once again, an excessively busy work-week left me a little high-and-dry, come game-time.

The Big Issue with this session: In spite of my success in the previous session, I completely failed the “Show, Not Tell” rule in this one. I realized my mistake as it was happening, but it was too late to fix it. Specifically, I failed by making a show of describing the (admittedly, perhaps, named a little too on-the-nose) Dodgyville as a “hive of scum and villainy,” rather than finding a way to demonstrate that characteristic through interaction. To be fair, I’m not exactly sure how I could have done that, but I should have tried to find a way, even though that description would evoke exactly the visualization I wanted. It was sloppy. It bugs me more than it should, I know.

The next biggest issue: I somehow missed that I hadn’t finished detailing the final battle dialogues or post-battle wrap-up, including the “catch phrase” (the “great fame and wealth unimaginable” bit), until I was executing that part of the game. I had to improv a lot of that, and I hate doing that, especially when that little twitch of panic sets in as I realize my error. Sloppy again. I intended to start improving my dénouements, and this sort of thing doesn’t help.

There were a few other even-more-minor errors…I’d probably call them “normal”:

• I’ve found a tendency of mine, that I will sometimes go into some unnecessary exposition, especially when it comes to the history of a place (Bonnyfield, in this instance), that should either be “demonstrated” (see “Show, Not Tell” above) or left to the wiki.
• There was a near-disaster when the PCs started talking about skipping picking up “the book” until the return-trip—I had planned for that eventuality, should they do so when they met with the scrivener, but not before they even entered the area!
• The fact that I completely missed the first enemy turn in the final combat was unique to Fantasy Grounds, and a result of having Sorcil in the Combat Tracker, “skipped,” during the first fight, and forgetting to undo that later—just a SNAFU.

Session Recap; Stream

GM confidence: 5/5. I wouldn’t go so far as to call the session “perfect,” but I also couldn’t (realistically) expect one to go much better, IMO.

What Went Right

• I’ve been trying to do a little more “Show, Not Tell” for some time now—to the extent that one can in a TTRPG—by working bits of lore into conversations with NPCs, or through their actions. The “news reading” is a prime place for it, and I took advantage of a random kingdom event to tell about the Sentinels. I also feel like I did a decent job of “showing” NPCs’ traits and positions through action/conversation here. Obviously, I want to find more opportunities for this.
• I went through the characters’ inventories before the game and discovered they actually didn’t have much that could be pick-pocketed. A couple of potions was the best I could do.
• The fight in the slum apartment, as mentioned on the stream more than once, has to be one of the strangest combats I’ve ever experienced—but it was certainly entertaining. It was definitely not planned that way; “emergent storytelling” in evidence.
• I came up with the “Lock and Key” concept during the Sea Dogs run. Although I have been using it here and there since then, this was the first time it came to the direct forefront—no idea why it only happened now. I’ll probably expand on that in its own blog post at some point, but the short version here is: the “lock” would have been if the PCs tried to appeal to their authority with the Gambees, in which case they would have taken a -4 to Influence, and the “key” was offering to take the arrows so the Gambees’ men don’t have to (also flattering Vigo’s intellect), in which case they got a +4. Kenrick’s player just happened to hit the right note.
• Due to a busy work-week, I had to scramble a bit to get prepared. One of the problem-areas was the inclusion of the “black-hooded man” at the end. I needed to be able to deliver the catch-phrase and take off running without being immediately prevented, and it wasn’t till the last minute that it occurred to me to put him on the rooftop, which was perfect (and appropriate). Once again, Maykew’s player surprised me with (the same) spell; I hadn’t considered that at all—but it worked out, since I really wanted him to get caught. I think I would have rather gotten a proper Chase (Action 2) out of it, though. Next time.

What Went (Almost) Wrong

I went through some effort to get to the first fight at the right time, knowing how long these things usually take, so I could get the session done on time. I succeeded—maybe a little too much so. When the fight went rather more quickly than I expected, I was definitely worried the session was going to end up short, enough that I was considering turning the “Red Rondel” into a “real” fight. But I managed to allow the player discussions to drag just enough to negate the need.

A much-smaller issue: I adjusted the “bridges” news item really late before the game, with the “bleeps,” but at the time, I didn’t properly process how to actually read it aloud, resulting in some clumsiness with the delivery.

Miscellaneous

• The “Halfling Mafia” is an old joke dating back to the origins of the Generica D&D campaigns in our Friday group, but had not seen production until this session. I had been looking forward to this day. The name, Gambee, is a mix of “Gamgee” from Lord of the Rings and the historical “Gambino,” suggesting a bit of a “Sicilian” flavor.
• “Red Rondel” is a reference to the “Red Circle” club from John Wick
• Garrett the Locksmith is an old D&D character of mine going way back to 2nd edition, and was, himself, a ripoff of the the protagonist from Thief: The Dark Project. I do miss playing that character…

Session Recap; Stream

GM confidence: 3/5. This session went mostly as planned, but I really buggered part(s) of it, dragging the whole thing down, in my opinion. A rough week at work resulted in a rough week prepping, and the session didn’t get the thorough attention-to-detail it needed.

What Went Right

There were two “organizational” foci for me in this session, and those both went rather well, actually. The first was pacing: The previous two sessions went a little longer than I intended, so I wanted to keep the early parts moving in this one, and get to the climax on-time. This worked out as I intended. The second: I mentioned in the last debrief that I wanted to start addressing the individual players rather than asking intentions of the group as a whole. I did that in this session, and I think it worked out pretty well—definitely better organized. I will be using that from now on.

What Went Okay

There was a long-distance travel bit again. Other than taking a bit more time than I had anticipated deciding whether or not to rent horses—I didn’t realize anyone might not want to—the travel-planning wasn’t too painful. As to the travel itself: On the one hand, it went pretty quickly and smoothly. On the other hand, I missed some opportunities for some “color”—especially Ser Magnus shenanigans.

I was concerned about the “village meeting” being a big info-dump with no real opportunity for PCs’ input. Obviously, I didn’t want to script out a huge, multi-party argument, so I tried to distill it down to the most basic points, to deliver the necessary facts and detail the factions involved. I don’t think it took too much time, and I feel like it delivered what I intended.

The combat went reasonably well, and about as quickly as I had anticipated. I was very deliberate about describing the battlefield conditions at the beginning. I had some fun with the spells. The goblins were a bit weak, I think, and I forgot some rules here-and-there, as usual. Once again, I really wanted to get into the Fantastic Dungeon Grappling but none of the bolas hit. Behind-the-scenes: I had decided that in the abstracted larger battle the Shariff would take the same damage as the worst-off PC, and his right-hand-man would take double that—Maykew’s was the only injury, at the end.

What Went Wrong

Just to get the least-worst out of the way: I had to shoe-horn in the town crier this time, which was less than ideal to start with. And the Ferris Bueller ripoff was fine on its own. But for some reason, I just couldn’t read the lines in the proper “voice”—apparently I’ve developed a “reflex” in that regard. I meant to watch some of those scenes on YouTube beforehand, but I was scrambling to get everything sorted before the game already, and didn’t get to. I feel like it sounded terrible, so much that I’m cringing at the thought of hearing it again. A golden opportunity somewhat wasted.

It was late in the process when I decided the fairy-forest should be a High Mana area, and I didn’t (a) refresh my memory on what that actually does, and (b) figure out how that interacts with Sanctity (Clerical/Divine Magic). It’s a shame about the latter, because this would have been an ideal opportunity to explore that aspect. I’m putting that on the list of things I need to nail down ASAP. But this is also fairly minor.

Now, the complete screw-up: The “fairy traps” scene was what I am referring to as a “Skill Gauntlet”: basically, a Skill Challenge without a specific goal to achieve other than to get through it, inspired, here, by the French troops traveling through the enchanted forest in The Brothers Grimm. The intention was that for every incident, a man would be lost, and if the “save” failed, a second; also, for each failure, an additional goblin appears at the combat scene (that is, the missing troops meant the PCs’ share of the bad guys would be larger). Similarly, for each failed attempt, I would add on another incident (capped at three additional). The concept is sound, I think, I just managed to completely botch the execution. All of this could have been remedied with a little more attention during prep.

• I failed to communicate the parameters and expectations, as I had learned to do with Skill Challenges. Specifically, I failed to communicate that the “saves” were an immediate, reflexive action. This led to much confusion, and questions I wasn’t prepared to answer, like “How fast are they going, and how far?”
• The PCs’ choice of guide was going to determine the BAD for the scene. When it was under way, I forgot about BAD entirely, throughout.
• I had not nailed down how the PC’s would be “chosen” to act. I did have the “1d6” I intended to use to determine who was near enough to each other to give assistance, but while that mechanic has worked quite well for me in most cases, here it kinda made it worse. After-the-fact, I’m actually not certain what the right way to handle that would have been.
• The above point resulted in “choosing” the wrong PC for the wrong incident, resulting in spending waaaaay too much time trying to find a spell Dustan could use to rescue a guy. I ended up stepping in and putting a stop to it, but I felt really bad about doing so—taking away player agency is a big no-no.
• I had, sadly, not given any thought to what the group would do about those “left behind.” After-the-fact, I realize there was not enough urgency established to justify leaving them alone—which might have been easily remedied.
• Because of the confusion and excessive time taken to make decisions—and my mental state as a result—I went ahead and cut the Gauntlet off at four incidents, when I had quite a few more “prepared.” At least the PCs succeeded at all of them (without the BAD penalty).

In the end, there’s really nothing to be done but to try to do better next time.

Miscellaneous

• This session pulled a lot of inspiration from The Brothers Grimm, Pan’s Labyrinth, Hellboy II: The Golden Army, but most of all, the Game Knights production of Curse of Silverthorn, from which I shamelessly ripped off many elements
• Dustan’s Patron, Magister Mintôr, triggered for this session; I used him as an opportunity to hand out the first campaign “magic item”
• I’ve written a longer piece about the “Laughing Bandit” on the wiki, but the TL;DR version: he’s a ripoff from a movie-within-the-movie in The Rocketeer, which is itself a ripoff of Errol Flynn’s Robin Hood portrayal.

Session Recap; Stream

GM confidence: 4.5/5. Aside from a handful of very-minor mistakes, I’m really pleased with how this one turned out.

One of my chief goals of this session was the presentation of Ser Bryton Good-Heart and his relationship to the campaign theme (that is: is Fame and Fortune really all that great?). I feel like this part was a great success. All the players were appropriately scratching their heads and raising eyebrows at his shenaniganry as I intended, but they also “figured him out” by the end, without me really having to explain.

I was concerned that this episode in particular would be a bit of a railroad, with the PCs just following Ser Bryton along. It turned out okay, in that regard, I think. I tried to give them plenty of choices along the way to preserve their overall agency. But it’s definitely a situation I usually intend to avoid.

Even before the campaign got under way, I was concerned about pacing versus content. My intent was to make all the individual “jobs” (with a couple of intentional exceptions) be contained within one session. So far, so good. But the first two did run a little short of 30 minutes late. That’s not so bad. But the session recordings allow me to go back and see where I might have trimmed the fat a little better, and I will be paying attention to that in the future. I already have some thoughts in that regard.

This was the first session where the PCs would be traveling away from the Capital. Handling “travel” is something I’ve wanted to smooth out in this run. While I am still using Dungeon Fantasy 16: Wilderness Adventures as a basis, I am more focused on “getting on with it” rather than making it its own mini-adventure—travel is not the focus of this run (unlike something like Earthfall). That said, in this session, the PCs were mostly just following along, so there wasn’t much (in-game) prep to be done. I had run across the idea of taking multiple PCs’ rolls for a particular situation and totaling the margins-of-success; I decided to use that here and see how it worked. I’d say it worked out, at least, when it comes to generating Plot Points—ended up with a lot fewer of them than if they had been considered individually, which is appropriate.

The (very minor) fail-point with regard to travel—that appeared in a couple of other spots as well—is that when asking the group what their intentions are, things have a tendency to get a little muddy. I am realizing that it’s probably far more efficient to go to each player individually, in sequence, and ask them what their intentions are, then execute, rather than wait for the group to sort out who’s talking, and who’s handling this-or-that. We’ll see if that works better in the next session. Interrogation scenes are notorious for this kind of thing.

Probably my biggest fail-point for the session was with the “fishing” segment. I really had not planned for the PCs to stay behind and keep an eye on Ser Bryton, in which case they would have directly observed the assassination attempt, and the interrogation afterward would have been moot—that would have been a shame. This is another “I should have known better” situation; my plan depended on them all to leave together, and that’s a no-no. Fortunately, the players’ compromise solution worked out for me. Secondarily, the discussion about whether to stay or go took a little longer than I would have liked, but there’s not a whole lot one can do about that except to allow sufficient time for it.

I actually had several “church” maps standing by, but the one I chose fit the image of the interior best. Unfortunately, it didn’t have enough exterior to allow a “literal” tactical representation. I had bet on the PCs to work from the inside, and I lost that bet. I really should have extended that map a little further. We were so late getting to the combat that I was concerned the session would run intolerably late, but the PCs got in some lucky hits that made it go by faster than usual. I’m almost disappointed I didn’t really get to “explore” the bad guys capabilities here; this was my first time running proper spellcasters. I was annoyed about forgetting the Fright Check was supposed to be -3 for the Terror spell—that would have changed the outcome quite a bit.

Miscellaneous

• Ser Bryton is the mirror image of Geralt of Rivia from the Witcher (et al). I used images from the series and games a lot in the session.
  • The prostitute, Trisste (who was actually an informant) = Triss
  • Taxford = Blaviken (visually, not “literally”)
  • The “fishing” hole was where Geralt fished out the djinn in the TV series
  • The village of Hammlet image is White Orchard from the game, though the name is also an homage to Hommlet from D&D’s Temple of Elemental Evil—I had originally thought to work more of that in
• Mae govannan, mellonamin = Sindarin Elvish for “Well met, my friend”
• Shamukh, murkhûn = Dwarvish for “Hail, shield-man” (best I could do 😛 )
• Murdok’s Secret triggered for this session, though I think he got off a little easy—supposed to have to take action to suppress its revelation
• The priests from whom Maykew nicked the relic should, legally, have raised the hue and cry but (I justified after the fact, admittedly) their practice of selling relics (or access to them) in the first place is illegal
• The bartender Crit Failed his resistance to Murdok’s intimidation, which doesn’t mean anything extra in a Quick Contest, but he did fail really badly
• I had a couple more incidents of Ser Magnus shenaniganry that I forgot to work in, sadly
• The cultists were using the “Dark Path” magical style from the recently-released Magical Styles – Horror Magic, which I added in at the last minute. I pulled their spell list from there; it just happened to have the ones I wanted.
• Phil picked up on my The Middleman trick already, of having the episodes’ bad guys repeat the same line of soliloquy; you will see this again

Session Recap; Stream

GM confidence: 3.95/5. Not a bad start, really, IMO—certainly better than the start of Chapter I—but a handful of minor mistakes and an undefinable sense of “clunkiness” on my part (deserved or not) prevent me from giving it a full “4.”

There were some missed opportunities with regard to some dialogue, here and there. I had learned that I need to write out bits of dialogue/monologue that need to be delivered in my notes, regardless of whether or not I intend to read them directly. I didn’t take the time to do that here, and it showed, I think. One of the benefits of doing so is making sure certain pieces of information are delivered. But sometimes, even that doesn’t work.

Any time you know a complicated mechanic will be called for, write down the damned page numbers! I’m usually really good about that, but I forgot to write the location of the “Gain Admission” stuff in Social Engineering, and that lost me some time. Having said that, it had actually not occurred to me that the PCs would be talking to a clerk or somesuch, and I needed to sort out the effects of Status on that interaction. Another oops. I accidentally breezed past the PCs’ opportunity to learn what the bustle was about at City Hall, too. It wasn’t super important, but it could have affected things further in, and the effort I spent generating that content was wasted.

I thought my first attempt at “The Hunt” from Monster Hunters 2 went reasonably well. It wasn’t meant to be a complicated mystery, and I expected the players to figure it out easily, so I knew they were going to be getting the +4 for “guessing correctly” a lot. I don’t have specific plans to use this again in this run, but I wouldn’t have a problem with it. What could have been better, though, was the process of getting the interviews they did. As soon as I got started, I realized I hadn’t properly thought through how the skill rolls would interact with the results. I didn’t mean to break it up into “days” of operation like that. Likewise, I had worked out what clues the interviewees would have available, but I didn’t actually sort out what the PCs would be required to do to get them. Ultimately, it turned out okay, but I think that situation would have benefited from a more “skill challenge”-like structure—a clear “do this, get that” process. I probably needed a couple more backup witnesses, too.

The Skill Challenge in the sewers went much better, mechanically. We’ve been using Skill Challenges (from D&D 4e) in GURPS for a while now, and we’ve gotten fairly proficient at them, much like the GURPS “Chase” mechanic. I’m going to be using these quite a bit throughout the run. I thought my “twist” worked out pretty well: giving them the “obstacle” and letting them sort out the who and how—this may actually be a better method—though I really needed to come up with a few more (logically, you’d need one each for the total of successes and failures, minus one). My mistake there was that, although I had defined consequences for failing the Challenge, I had not fully processed failure of the mission—fortunately, they ended up squeaking by, with maybe a day to spare.

I’m still working on my “Action Challenge System” here and there. For the rats, I used the very-unfinished “Quick Combat” piece. We used this before in our Session Zero, where we revisited the “bridge fight” in Chapter I:V. It is definitely faster—a fight that size would have taken multiple sessions in Tactical Combat. It still needs work, though. The first problem was “Surprise”; I didn’t consider how that would affect the combat until we got to it, and I definitely went about it the wrong way—should have just given the rats a penalty on their first round. The “long term” effects of individual combat maneuvers needs better definition, and I had meant to define a “battle skill” (much like 3e GURPS mass combat). The PCs were all killing a lot more than I had anticipated, even without my forgetting of the Size Modifier, but in retrospect, it was probably “correct”—in a 15 second span, it is feasible they could disable 15 discrete targets. I completely forgot to track the number of neutralized rats as we went, but the PCs took out so many in the first two rounds that it really didn’t matter. If the rats had been able to make any real progress against the PCs I would have been using Fantastic Dungeon Grappling to bring them down, but alas, I didn’t get to see how that would have worked out. There will be other opportunities to try again, though.

Miscellaneous

• I’m using “Novigrad” (mostly) from Witcher 3 as a Vancouver for the Capital
• I pre-rolled (via spreadsheet) the weather according to Dungeon Fantasy 16: Wilderness Adventures; this will be the case throughout the entire campaign
• I completely missed giving the name of the “siege experts” as Ser Reckett’s Crew
• I had quite a few “news items” on tap for the town crier, but the PCs decided to move on. I probably should have reminded them they could go back later. But that just means I have more for later.
• Being a fairy-tale inspired campaign, you will see the Rule of Three a lot
• The “Jon Thatcher” witness was ripped straight from A Knight’s Tale (as Paul correctly identified)
• The “Old Mack” witness was “Miracle Max” from The Princess Bride—I really wanted to do more with that one; see “write it down” above
• The “Procuro Morgeld” witness was the merchant from Shakespeare’s The Merchant of Venice—I also didn’t bring out his details the way I wanted
• There are more Easter-eggs here that I don’t want to give up just yet…